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Designed by Studio Expormim
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Finishes:
Base in metal lacquered in a selection of colours, top in solid oak in natural or stained in a selection of colours
Dimensions:
W1800 x D960 x H740 mm W2000 x D960 x H740 mm W2200 x D960 x H740 mm W2400 x D960 x H740 mm
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Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
Among all the classics revisited, this piece from the 80s we happened to stumble upon in our archives is the most amusing and original without a doubt. Small and likeable, its peculiar shapely silhouette evokes icons of pop culture such as flying saucers or hula hoops. And in spite of it all, Radial has been […]
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Roxanne is a chair in which all the requirements for an iconic object are enclosed: strong personality, essential design and flawless performance between functionality and image. The great comfort obtained with the volumes of the backrest and seat perfectly calibrated in the sizing gives it excellent comfort. Roxanne is a stackable chair and is therefore […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.