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Lazada
Designed by Studio Expormim
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Finishes:
Base in metal lacquered in a selection of colours, top in solid oak in natural or stained in a selection of colours
Dimensions:
W1800 x D960 x H740 mm W2000 x D960 x H740 mm W2200 x D960 x H740 mm W2400 x D960 x H740 mm
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Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
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Among all the classics revisited, this piece from the 80s we happened to stumble upon in our archives is the most amusing and original without a doubt. Small and likeable, its peculiar shapely silhouette evokes icons of pop culture such as flying saucers or hula hoops. And in spite of it all, Radial has been […]
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Baobab is characterised by the contrast of the full rounded form of the seat with the fine and elegant profile of the back. The result, quite apart from its unique personality is a very pleasing, comfortable and eye catching piece.
A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
As a master in architecture, the Japanese, Ito has proposed few but extraordinary design works. Suki armchair, designed in 1987, is one of them: an object made mysterious by the use of a double steel mesh row intersected by many springs. This is an ideological Manifesto but, unpredictably comfortable.