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Lazada
Designed by Studio Expormim
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Finishes:
Base in metal lacquered in a selection of colours, top in solid oak in natural or stained in a selection of colours
Dimensions:
W1800 x D960 x H740 mm W2000 x D960 x H740 mm W2200 x D960 x H740 mm W2400 x D960 x H740 mm
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Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability.
Coqueta holds a considerable part of Expormim?s DNA. Renewed to make it more 21st century-like, its classic features preserve, nonetheless, all the purity and personality of the original design.
Basic collection designs are built on two fundamental concepts: one is functionality and the other, the richness of its materials. Defined by simplicity and pure lines, the sideboards, cabinets and TV stands included in this collection can be extended in terms of usability by simply adding drawers and shelf units; texture can be also multiplied […]
PLEGAT sideboard inherits the design concept of the collection. Natural material coexists with functions. Wood texture is delicate and elegant. Composite wooden columns stand on metal frame to show beauty and elegance of the cabinet.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.