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Lazada
Designed by Studio Expormim
Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability. Made of non-skin and tinted rattan with water based dyes
Finishes:
Frame in rattan in natural or stained in a selection of colours, optional seat in a selection of fabric, vinyl or leather
Dimensions:
W670 x D740 x H790 mm SH430 mm
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Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
Compact and easy to handle, with its cone-shaped legs and tops of lively colours, the Trio collection carries us back to the Mid-Century modern age. Its main appeal lies in the simplicity of its design as much as in its insouciant personality, a piece as funny and charming as practical and versatile.
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Reposo (rest), in physics, refers to an object being stationary. Everything around is subject to mutation except for it. With its undulant silhouette evoking sand dunes and its butterfly-like backrest, Reposo stares at the changing world without ever getting troubled. This unique self-awareness is part of its grandeur and yet its embrace feels as warm […]
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The Slim line is characterized by an essential design that conveys great lightness. Tables, coffee tables, consoles, benches and sofas that meet all tastes and requirements, fitting all kinds of situations.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.