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Lazada
Designed by Benedetta Tagliabue
Wickerwork is marvelous genre of art. This artisanal technique is the same all over the world. We can even claim that wickerwork is the first universal language of humankind: the language of hands. That is why we have done a lot of research on wicker and the weaving of natural materials. Tina and Pepe are the result of our collaboration with industry. They come as an innovative design integrating a magnificent tradition while trying to combine that special care and attention to detail inherent to craft production with the precision and quality of technology.
Finishes:
Structure in metal in black, seat in natural rattan in natural or and wicker
Dimensions:
W990 x D1110 x H1000 mm SH400 mm
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Wickerwork is marvelous genre of art. This artisanal technique is the same all over the world. We can even claim that wickerwork is the first universal language of humankind: the language of hands. That is why we have done a lot of research on wicker and the weaving of natural materials. Tina and Pepe are […]
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
The Tetris modular concept from Inclass is conceived as a set of upholstered geometric units, where different seats, backrests, armrests, panels and side tables can be combined to create an infinite array of forms that can be rearranged to optimise the space in each installation. The modular design of the Tetris concept even allows the […]
$3,270.00$2,779.50
Despite its small dimensions, the Tenon Lounge Chair boasts an expressive character – hard and soft, strong, and graceful – as it cultivates contrasts between hard wood and upholstered surfaces. A clean construction in solid oak, assembled in a so-called ?mortise and tenon joint,? creates a sculptural frame for the seat. The straight lines and […]
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