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Lazada
Designed by Mario Ruiz
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
W1800 x D1000 x H750 mm W2000 x D1000 x H750 mm W2200 x D1000 x H750 mm W2400 x D1000 x H750 mm W2600 x D1000 x H750 mm
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The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
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Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
Pick Up Sticks celebrates its solid oak frame, which is enhanced with refined profile details.
Nautica is a hanging seat that pays homage to one of the first pieces produced by Expormim in the 70?s. Our commitment to the creation of a unique design that would recover and rethink the traditional use of rattan was matched by the will of delivering something different, unexpected. Natural world is filled with contrasts […]