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Designed by Mario Ruiz
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
DIA1000 x H750 mm DIA1200 x H750 mm DIA1400 x H750 mm
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Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
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The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
Among all the classics revisited, this piece from the 80s we happened to stumble upon in our archives is the most amusing and original without a doubt. Small and likeable, its peculiar shapely silhouette evokes icons of pop culture such as flying saucers or hula hoops. And in spite of it all, Radial has been […]
The Cask lounge collection is a modern take on classic rattan furniture that is both elegant and embracing. The combination of geometrical simplicity and classic techniques makes a contemporary design that is novel and familiar at the same time. The construction consists of two simple circular rattan shapes forming a mesmerizing geometrical shape held up […]
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
Nautica is a hanging seat that pays homage to one of the first pieces produced by Expormim in the 70?s. Our commitment to the creation of a unique design that would recover and rethink the traditional use of rattan was matched by the will of delivering something different, unexpected. Natural world is filled with contrasts […]