Visit us in store for a wider selection of items not found online.
Lazada
Designed by Mario Ruiz
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
W1000 x D1000 x H750 mm W1200 x D1200 x H750 mm W1400 x D1400 x H750 mm
0
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
$6,560
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
Beech rods bent according to a modern technology, seat shaped by modern production methods and contemporary design. The Tram chair connects everything that is typical for TON today. Its lines simplify any interior and are available in a version with armrests or upholstery.
Maat hand-woven outdoor lounge armchair is cozy and functional: its very stable structure envelops those who sit and support their arms and back. Maat chair is just perfet for relaxing in the garden in contact with nature. The triangular, open-weave pattern strongly identifies the product and gives it an airy look.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.