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Lazada
Designed by Mario Ruiz
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
W1800 x D1000 x H900 mm W2000 x D1000 x H900 mm W2200 x D1000 x H900 mm W2400 x D1000 x H900 mm W2600 x D1000 x H900 mm
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Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
$0.00
Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
OSKAR collection diffuses an oriental charm in a modern and simple style. The frames of legs are shown outwardly, supporting the weight of table tops made of porcelain. The accuracy of details, proportion, size, and stability introduces a unique power to the collection.
$2,020.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
Compact and easy to handle, with its cone-shaped legs and tops of lively colours, the Trio collection carries us back to the Mid-Century modern age. Its main appeal lies in the simplicity of its design as much as in its insouciant personality, a piece as funny and charming as practical and versatile.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.