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Lazada
Designed by Mario Ruiz
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
W1800 x D1000 x H900 mm W2000 x D1000 x H900 mm W2200 x D1000 x H900 mm W2400 x D1000 x H900 mm W2600 x D1000 x H900 mm
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Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
$6,560.00
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
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The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
$1,160.00
The Missing Chair appears as if a simple line drawing has sprung into life. Sensual yet strong, the soft curve of each line creates a whimsy that is hard to describe. Straight lines have been softened, allowing the timber seat and back to appear as if floating above the thin steel frame. What remains are […]
Mellow chair is inspired by layed clouds. It gently hugs you with its whimsical and layered back. The tubular metal legs adds a polish touch to the design.
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.