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Lazada
Designed by Mario Ruiz
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
Finishes:
Base in metal lacquered in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W670 x D570 x H780 mm SH470 mm
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If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
$6,560.00
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
The wind desk breaks from traditional desk. With its wing-shaped legs and aerial, willowy structure, it recalls the motion of a bird flying in the sky, carried by the wind. The piece pairs together the oriental philosophy of life and the essence of nature, representing a harmonious integration of form and function.
$3,800.00
Characterised by two single planks that sit across wide wooden legs, the Ita dining table is a lesson in constructed minimalism. Transcending the boundary between Scandinavian and Japanese design philosophies, the table conveys a simple yet sleek design language. Available in two sizes and two finishes – oak and dark stained oak – the table […]
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.