Visit us in store for a wider selection of items not found online.
Designed by Mario Ruiz
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
Finishes:
Base in metal lacquered in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W670 x D570 x H780 mm SH470 mm
0
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
$0.00
The Cask lounge collection is a modern take on classic rattan furniture that is both elegant and embracing. The combination of geometrical simplicity and classic techniques makes a contemporary design that is novel and familiar at the same time. The construction consists of two simple circular rattan shapes forming a mesmerizing geometrical shape held up […]
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
$860.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.