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Lazada
Designed by Mario Ruiz
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Finishes:
Legs in solid oak with seat surround in rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W600 x D570 x H780 mm SH470 mm
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If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
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Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Funghi is a kind of mushroom and also the inspiration for this lively table collection. It is to celebrate the mushroom forms found in forest. Blending with shiny and colorful lacquer finish, Funghi collection brings delight and surprises.
$1,600.00
Rooted in a shared form, the Kin Tables by British designer John Astbury explore the quiet strength of repetition and relation. Defined by their soft curves and sculptural presence, each piece in the collection is anchored by a pedestal base and a tabletop cut from the same formal language – yet rotated to create contrast […]