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Designed by Mario Ruiz
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Finishes:
Base in metal lacquered in a selection of colours, seat structure rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W600 x D570 x H780 mm SH470 mm
$6,560.00
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
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If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
$1,270.00
Mixing a strong connection to Scandinavian materiality and craftsmanship with a modern approach to functionality, the Mass series caters for a range of environments and activities; while exuding sophistication through each tailored line. A sculptural simplicity and honest palate of materials bring the family together.
Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground._ Simple and primitive, smooth and perfectly polished, solitary or close to each other, united in a perfect joint._ Available in two sizes, the tables born from the creativity of […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.