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Lazada
Designed by Mario Ruiz
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Finishes:
Legs in metal lacquered in a selection of colours, seat structure rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W600 x D570 x H780 mm SH470 mm
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If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
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The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Organic lines. Elegantly understated details. Spanning across dining, bar and lounge typologies. The Folium seating series emulates the natural shape of leaves, translating them into a modernly timeless design for professional projects and homes alike.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]