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Designed by Miguel Mila
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
Finishes:
Structure in rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
DIA420 x H460 mm
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Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing […]
$1,940.00$1,649.00
Constanza is the quintessential expression of Miguel Mila?s timeless design language. Created in collaboration with his son Gonzalo Mila, it brings together his two favorite materials: rattan cane and leather.
$1,660.00
If Pipistrello has succeeded up until now in remaining always current and fascinating, it is not just thanks to its style and the design ingenuity of Gae Aulenti. Merit also goes to the company?s desire to dare and to re-propose it in different colors, dimensions and uses to better answer a continuously evolving market.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.