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Designed by Miguel Mila
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
Finishes:
Structure in rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
DIA420 x H460 mm
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Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing […]
$1,940.00
Constanza is the quintessential expression of Miguel Mila?s timeless design language. Created in collaboration with his son Gonzalo Mila, it brings together his two favorite materials: rattan cane and leather.
$880.00$748.00
The Flowerpot lamp became synonymous with the Flower Power movement from the late 60s. Reflecting a break from convention to embrace a more open, modern mentality that promoted peace and harmony. Such was the mindset of its designer, Verner Panton. One of the most forward-thinking talents of his time. The Flowerpot series consists of several […]
Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
$360.00
Nessino is an icon of Italian design from the 60s, a decade that heralded the conquest of modernity in which design redefined the domestic landscape though the first uses of plastics. Innovative and democratic, its expressive form inspired by nature interprets and challenges industrial manufacturing technology.