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Designed by Miguel Mila
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
Finishes:
Structure in rattan in natural or stained in a selection of colours, foot rest in stainless steel, upholstery in a selection of fabrics or leather
Dimensions:
DIA470 x H620 mm DIA500 x H760 mm
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Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing […]
$1,940.00$1,649.00
Constanza is the quintessential expression of Miguel Mila?s timeless design language. Created in collaboration with his son Gonzalo Mila, it brings together his two favorite materials: rattan cane and leather.
$1,530.00
Isist Atelier manufactures and distributes the only authorized version of the iconic BKF chair designed in 1938, holding the exclusive license from the family of Antoni Bonet, faithfully reproducing the definitive edition under the name Bonet BKF ensuring the proportions and details of the original design. The 12mm solid rod frame is mechanically assembled and […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
$580.00
Designed by Charlotte Perriand for her mountain chalet Le Vieux Matelot, Applique Cylindrique is a design that dates back to the early 1930s. Her interest in pivoting screens reflects her observation on human gestures: a simple touch allows to direct the lampshade and to control the light beam, making it possible to adjust intensity and […]
$1,140.00
For many years now, Atollo has no longer been a lamp, or rather, it has no longer been just a lamp. It has become a myth, an icon: one of the best know symbols of Italian design wordwide, one of the very few products which people recognise and call with its own name. Designed by […]