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Designed by Studio Expormim
Coqueta holds a considerable part of Expormim?s DNA. Renewed to make it more 21st century-like, its classic features preserve, nonetheless, all the purity and personality of the original design.
Finishes:
Structure in rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W480 x D520 x H900 mm SH490 mm
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Reposo (rest), in physics, refers to an object being stationary. Everything around is subject to mutation except for it. With its undulant silhouette evoking sand dunes and its butterfly-like backrest, Reposo stares at the changing world without ever getting troubled. This unique self-awareness is part of its grandeur and yet its embrace feels as warm […]
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability. Made of non-skin and tinted rattan with water based dyes
Benasal, also known as the armchair that won Jaime Hayon?s heart, is a simple and functional design seeking for comfort without any further ado. Pomposity aside, it is just an armchair inviting to sit and relax. Being thus conceived, how could it not be suitable for any given place at any given time?
$6,560.00
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Closer is an armchair with iron structure painted matt black and supported feather cushion with removable cover, fixed in the leather version. A slender but very solid metal frame welcomes the large and enveloping cushion with generous shapes, offering the maximum level of comfort.
As a master in architecture, the Japanese, Ito has proposed few but extraordinary design works. Suki armchair, designed in 1987, is one of them: an object made mysterious by the use of a double steel mesh row intersected by many springs. This is an ideological Manifesto but, unpredictably comfortable.