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Lazada
Designed by Studio Expormim
Finishes:
Legs in metal lacquered in a selection of colours or in wood, structure in wood in oak veneer in natural or stained in a selection of colours, 4 doors, 2 drawers
Dimensions:
W1200 x D440 x H1470 mm W1200 x D440 x H1560 mm
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Coqueta holds a considerable part of Expormim?s DNA. Renewed to make it more 21st century-like, its classic features preserve, nonetheless, all the purity and personality of the original design.
Basic collection designs are built on two fundamental concepts: one is functionality and the other, the richness of its materials. Defined by simplicity and pure lines, the sideboards, cabinets and TV stands included in this collection can be extended in terms of usability by simply adding drawers and shelf units; texture can be also multiplied […]
Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
Compact and easy to handle, with its cone-shaped legs and tops of lively colours, the Trio collection carries us back to the Mid-Century modern age. Its main appeal lies in the simplicity of its design as much as in its insouciant personality, a piece as funny and charming as practical and versatile.
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Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]