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Lazada
Designed by Studio Expormim
Finishes:
Legs in metal lacquered in a selection of colours or in wood, structure in wood in oak veneer in natural or stained in a selection of colours, 4 doors, 2 drawers
Dimensions:
W1200 x D440 x H1470 mm W1200 x D440 x H1560 mm
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Among all the classics revisited, this piece from the 80s we happened to stumble upon in our archives is the most amusing and original without a doubt. Small and likeable, its peculiar shapely silhouette evokes icons of pop culture such as flying saucers or hula hoops. And in spite of it all, Radial has been […]
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Benasal, also known as the armchair that won Jaime Hayon?s heart, is a simple and functional design seeking for comfort without any further ado. Pomposity aside, it is just an armchair inviting to sit and relax. Being thus conceived, how could it not be suitable for any given place at any given time?
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
Wickerwork is marvelous genre of art. This artisanal technique is the same all over the world. We can even claim that wickerwork is the first universal language of humankind: the language of hands. That is why we have done a lot of research on wicker and the weaving of natural materials. Tina and Pepe are […]
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.