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Lazada
Designed by Studio Expormim
Basic collection designs are built on two fundamental concepts: one is functionality and the other, the richness of its materials. Defined by simplicity and pure lines, the sideboards, cabinets and TV stands included in this collection can be extended in terms of usability by simply adding drawers and shelf units; texture can be also multiplied by choosing either a steel finish or a combination of lacquered finishes.
Finishes:
Legs in metal lacquered in a selection of colours or in wood, structure in wood in oak veneer in natural or stained in a selection of colours, 4 doors, 2 drawers
Dimensions:
W2200 x D440 x H730 mm W2200 x D440 x H820 mm
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Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Basic collection designs are built on two fundamental concepts: one is functionality and the other, the richness of its materials. Defined by simplicity and pure lines, the sideboards, cabinets and TV stands included in this collection can be extended in terms of usability by simply adding drawers and shelf units; texture can be also multiplied […]
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
Summer Set is proof that a simple chair can become something fun for decorating rooms, houses and public places.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.