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Designed by Studio Expormim
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Finishes:
Structure in rattan in natural or stained in a selection of colours, upholstery in a selection of fabrics
Dimensions:
W570 x D570 x H780 mm SH480 mm
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Reposo (rest), in physics, refers to an object being stationary. Everything around is subject to mutation except for it. With its undulant silhouette evoking sand dunes and its butterfly-like backrest, Reposo stares at the changing world without ever getting troubled. This unique self-awareness is part of its grandeur and yet its embrace feels as warm […]
Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
Of all our classics, Copa was perhaps the one that did not need to be remembered because it was never forgotten. Despite its majestic pose, the truth is its high backrest provides a warm, enveloping hug. Its organic design evokes the blossoming bud of a flower welcoming the person who sits on it.
Benasal, also known as the armchair that won Jaime Hayon?s heart, is a simple and functional design seeking for comfort without any further ado. Pomposity aside, it is just an armchair inviting to sit and relax. Being thus conceived, how could it not be suitable for any given place at any given time?
Simple and contemporary lines defines the Lana collection characterized by its versatility. With an upholstered seat and back for comfort and a structure in wood or metal, Lana becomes a perfect piece for any space. The shape of its backrest plays with volumes and intersects with the structure giving it a particularly interesting aspect.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.