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Lazada
Designed by Naoto Fukasawa
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
Finishes:
Structure in fiberglass lacquered white, gold or blue
Dimensions:
1140 x 900 x H380 mm
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Naoto Fukasawa designed the Ten armchair, which is cozy and comfortable, matches the Ci coffee table, creating a lounge area that harmoniously blends into all interiors, from classical to metropolitan.
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Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.
Antonia Astori calls ‘memory furniture’ those pieces which tell something about people attention to indoor living. An attention expressed both by the recovery of disappeared archetypes, eg. canopy bed, and in precious materials manufacturing, eg. pleached roped steel headboard.
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
An exercise in style, refinement and essentiality, the Megara sofa comes with suede, fabric and leather covers and features a round backrest that smoothly flows into the armrest and creates a refined detail just before meeting the seat: almost a cushion sinking into the backrest. A terminal element, a day-bed and a pouf complete the […]