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Lazada
Designed by Fredrickson Stallard
Fredrikson stallard’s work often exudes an energy like that of abstract expressionism, a forcing by the artists hand or a chaos within the materials and forms themselves, albeit an organized chaos. In Sereno they have used similar themes, methods and language to instead create a moment of calm and solitude. The forms themselves are created from shards of glass violently created by the artists, but they become unified in utter stillness by the inclusion of a simple flat sheet and the transformation of the group into polished stainless steel. This brings a reflection of the three unified elements in the surface, creating another of Fredrikson Stallard’s recurring themes, Rorschach like symmetrical forms. This even further delivers their nature from turmoil to serenity – they resolve themselves through the reorganization of symmetry.
Finishes:
Structure in cast aluminium plated titanium or gold, top in polished stainless steel
Dimensions:
W1300 x D1300 x H560 mm
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Camouflage is an outdoor collection that includes a high and low armchair, a table and small table, all made of aluminium. in these sculptured elements the geometrical design of the structure frames the elaborated fretworked decoration.
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
Metal coffee tables and consoles characterized by a strong graphic sign and a strong personality. Essential lines and well-known geometries. The surfaces created through the repetitive rhythm of the metal tubes create lightness and solidity at the same time. Together with the console to be fixed to the wall, the square and rectangular coffee tables […]
$3,190
Olo is a family of monolithic turnes ash solid wood stained moka. They are modern sculptures that suit perfectly the living area. Essential in shapes with maximum expressive force.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.