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Lazada
Designed by Fredrickson Stallard
Fredrikson stallard’s work often exudes an energy like that of abstract expressionism, a forcing by the artists hand or a chaos within the materials and forms themselves, albeit an organized chaos. In Sereno they have used similar themes, methods and language to instead create a moment of calm and solitude. The forms themselves are created from shards of glass violently created by the artists, but they become unified in utter stillness by the inclusion of a simple flat sheet and the transformation of the group into polished stainless steel. This brings a reflection of the three unified elements in the surface, creating another of Fredrikson Stallard’s recurring themes, Rorschach like symmetrical forms. This even further delivers their nature from turmoil to serenity – they resolve themselves through the reorganization of symmetry.
Finishes:
Structure in cast aluminium plated titanium or gold, top in polished stainless steel
Dimensions:
W1300 x D1300 x H560 mm
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Camouflage is an outdoor collection that includes a high and low armchair, a table and small table, all made of aluminium. in these sculptured elements the geometrical design of the structure frames the elaborated fretworked decoration.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
$1,610.00
Organic shapes, like a natural landscape, appear to be constantly changing depending on how the light illuminates them.
ZIGZAG was originally put on the market in 1996. Almost twenty years later its re-launch introduces a series of novelties to the original project. The shelf’s zig-zag shaped structure is as simple and fresh today and remains untouched. However, we took advantage of changes in technology and taste to update both manufacturing and material trim. […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.