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Lazada
Designed by Philippe Starck
Finishes:
Base in ebonized mahogony base with cast aluminium cap and castors, top in white marble
Dimensions:
W1290 x D1290 x H730 mm
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In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of […]
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of […]
Simple and contemporary lines defines the Lana collection characterized by its versatility. With an upholstered seat and back for comfort and a structure in wood or metal, Lana becomes a perfect piece for any space. The shape of its backrest plays with volumes and intersects with the structure giving it a particularly interesting aspect.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
Tables, for a designer, are somehow suspended between architecture and sculpture. Littman visualize this suspension in Lybra project, by emphasizing the steel supporting beam, making it evident through the top transparency and giving it the value of a craftwork.