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Lazada
Designed by Philippe Starck
Finishes:
Base in ebonized mahogony base with cast aluminium cap and castors, top in white marble
Dimensions:
DIA1290 x H730 mm
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As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of […]
A minimal top, in crystal or canaletto walnut veneer, suspended on two independent wood structures: the result is a very refined table, thanks to the elegant details and the lightweight look of the piece overall.easel, designed for Driade by Ludovica+Roberto Palomba, is a table that plays on proportions and dynamism.
The company proudly presents the first project designed by Driade Lab, the company’s research centre and creative core. Driade Lab, where talents are moulded, is a group of miscellaneous talents who develop their aesthetic inspiration in an alchemy of languages and sensations, matching culture with design and working closely with the production department. Driade Lab […]
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.