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Lazada
Designed by Philippe Starck
Finishes:
Base in ebonized mahogony base with cast aluminium cap and castors, top in white marble
Dimensions:
W2100 x D900 x H730 mm
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lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of […]
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Here it is the ultimate pleasure of drawing and the power of provocation: the leather full dress, that reaches the floor, strongly opposes to the only polished metal shark finned back leg. Ed Archer is undoubtedly a scenographic protagonist.
A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
The steel grid and the choice of brightly colored fabrics make these chairs ideal for both the home and commercial areas.
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]