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Lazada
Designed by Philippe Starck
Finishes:
Base in ebonized mahogony base with cast aluminium cap and castors, top in white marble
Dimensions:
W1050 x D1050 x H500 mm
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Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of […]
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The seat section of uniform plywood is broken by the unconventional connections between the legs. The legs pass through the seat emphasizing the structural construction which is also a design detail. The effect is outstanding in the two-color version.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.