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Designed by Philippe Starck
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Finishes:
Structure in stainless steel in polished finish or plated copper
Dimensions:
W600 x D570 x H805 mm SH445 mm
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Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three […]
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
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The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, […]
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Antonia Astori calls ‘memory furniture’ those pieces which tell something about people attention to indoor living. An attention expressed both by the recovery of disappeared archetypes, eg. canopy bed, and in precious materials manufacturing, eg. pleached roped steel headboard.