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Lazada
Designed by Philippe Starck
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Finishes:
Structure in stainless steel in polished finish or plated copper
Dimensions:
W600 x D570 x H805 mm SH445 mm
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Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
$1,090.00
Rooted in the tradition of Scandinavian materiality and craftsmanship, the table seamlessly combines modern functionality with adaptability to diverse settings. The refined design exudes sophistication, as defined by its bespoke lines, while the integrated storage enhances both form and function, maintaining unity within the Mass design family through its elemental materials.
$0.00
Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.
$1,200.00
With a clear reference to its name ? Coin, a round and endless loop, the circle is one of the most versatile geometric shapes. The collection includes two elegant side tables in the iconic, sculptural shape.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.