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Lazada
Designed by Konstantin Grcic
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the progress of chinese culture, turning China into the heart of eastern trade.
Finishes:
Structure in metal painted orange, bronze or black
Dimensions:
W510 x D420 x H410 mm
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The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
ZIGZAG was originally put on the market in 1996. Almost twenty years later its re-launch introduces a series of novelties to the original project. The shelf’s zig-zag shaped structure is as simple and fresh today and remains untouched. However, we took advantage of changes in technology and taste to update both manufacturing and material trim. […]
Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three […]
Versatile outdoor chair with powder coated aluminum structure, featuring numerous combinations of different materials and fabrics for seat, backrest and legs. This outdoor chair’s backrest can be made of hand-woven synthetic fiber cord, Textilene or an outdoor waterproof fabric, to choose from the wide range of Varaschin. It is a very handy and durable outdoor […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.