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Designed by Konstantin Grcic
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the progress of chinese culture, turning China into the heart of eastern trade.
Finishes:
Structure in metal painted orange, bronze or black, seat in leather
Dimensions:
W450 x D420 x H880 mm SH650 mm W460 x D420 x H980 mm SH750 mm
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The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
ZIGZAG was originally put on the market in 1996. Almost twenty years later its re-launch introduces a series of novelties to the original project. The shelf’s zig-zag shaped structure is as simple and fresh today and remains untouched. However, we took advantage of changes in technology and taste to update both manufacturing and material trim. […]
It’s lightweight appearance is tempered by the robustness of steel footrests, making this a solid and dependable option to compliment most bench tops.
The Bcn high stool was the result of exploring how new materials can be used to create furniture. The main feature of the stool is the design of the seat. The seat was ergonomically designed by specialists to maximize comfort. The final shape required a huge developmental effort during the design phase. The stool is […]
This classic chair No. 14 has been transformed into a barstool. Manually bent beech wood is used for the frame. The seat can be made of plywood, with a decorative relief, cane mesh or it can be upholstered in all types of materials.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.