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Lazada
Designed by Konstantin Grcic
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the progress of chinese culture, turning China into the heart of eastern trade.
Finishes:
Structure in metal painted orange, bronze or black, seat in leather
Dimensions:
W450 x D420 x H650 mm W460 x D420 x H750 mm
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The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
ZIGZAG was originally put on the market in 1996. Almost twenty years later its re-launch introduces a series of novelties to the original project. The shelf’s zig-zag shaped structure is as simple and fresh today and remains untouched. However, we took advantage of changes in technology and taste to update both manufacturing and material trim. […]
This clean lined and stackable wooden chair is ideal for home, hospitality and commercial environments. It’s lightweight look and subtle form offer a refined option to compliment most tables.
Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.