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Designed by Christophe Pillet
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Finishes:
Swivel, base in steel in chrome finish, natural ash or lacquered charcoal, seat in polycarbonate in white, black, transparent or smoke grey
Dimensions:
W575 x D550 x H835-915 mm SH440-520 mm Glides: W575 x D550 x H810-890 mm SH415-495 mm
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The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
This coffee table can be matched with tops of various types, according to the taste and needs for both the indoors and outdoors.
This table base can be assembled with tops of various types, according to the taste and needs.
The steel grid and the choice of brightly colored fabrics make these chairs ideal for both the home and commercial areas.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.