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Lazada
Designed by Christophe Pillet
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Finishes:
Structure in steel painted black or in chrome finish, natural ash or lacquered charcoal, seat in polycarbonate in white, black, transparent or smoke grey
Dimensions:
W575 x D550 x H835 mm SH450 mm
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This table base can be assembled with tops of various types, according to the taste and needs.
The steel grid and the choice of brightly colored fabrics make these chairs ideal for both the home and commercial areas.
Christophe Pillet has sculpted a chair with armrest for Kristalia, suited also to use inside, perhaps in a modern office or flat, as well as in a garden or on the patio of an al fresco restaurant. The chair is visually striking, not in colour, for it is both sensibly and starkly monochromatic, but in […]
This coffee table can be matched with tops of various types, according to the taste and needs for both the indoors and outdoors.
$1,550.00
Rooted in the tradition of Scandinavian materiality and craftsmanship, the table seamlessly combines modern functionality with adaptability to diverse settings. The refined design exudes sophistication, as defined by its bespoke lines, while the integrated storage enhances both form and function, maintaining unity within the Mass design family through its elemental materials.
Padded modular piece. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
Illusioni is a coffee table with black iron structure and transparent crystal tops. The volumes seem to fluctuate as in the absence of gravity; the slender structure establishes its light and essential line.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.