Visit us in store for a wider selection of items not found online.
Lazada
Designed by Christophe Pillet
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Finishes:
Structure in steel painted black or in chrome finish, natural ash or lacquered charcoal, seat in polycarbonate in white, black, transparent or smoke grey
Dimensions:
W575 x D550 x H835 mm SH450 mm
0
Compact and snug, the Mayfair’s collection has a dual appearance: totally straight from the outside, like a single curved leaf, and pleasantly soft on the inside, like a den or nest. The organic lines are emphasised by the visible stitching.
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
This coffee table can be matched with tops of various types, according to the taste and needs for both the indoors and outdoors.
The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee […]
Maat hand-woven outdoor lounge armchair is cozy and functional: its very stable structure envelops those who sit and support their arms and back. Maat lounge armchair is just perfet for relaxing in the garden in contact with nature. The triangular, open-weave pattern strongly identifies the product and gives it an airy look.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.