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Designed by Eugeni Quitllet
An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of Baydur is fixed on a steel core which is then attached on another Baydur shell and on a polyurethane foams layer. The armchair, then, is entirely covered in leather and hand-stitched. The unexpected comfort is given by its perfect ergonomics.
Finishes:
Upholstery in a selection of leather
Dimensions:
W700 x D760 x H1200 mm
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Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
Created to complement the homonymous chair, Toy table, lives, indeed, an independent life thanks to the elegance of its stem, strongly tapered. A detail which, combined with the soft lines of connection with the top and the base, gives the piece an intense classical connotation.
$2,220.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.