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Lazada
Designed by Eugeni Quitllet
An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of Baydur is fixed on a steel core which is then attached on another Baydur shell and on a polyurethane foams layer. The armchair, then, is entirely covered in leather and hand-stitched. The unexpected comfort is given by its perfect ergonomics.
Finishes:
Upholstery in a selection of leather
Dimensions:
W700 x D760 x H1200 mm
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Created to complement the homonymous chair, Toy table, lives, indeed, an independent life thanks to the elegance of its stem, strongly tapered. A detail which, combined with the soft lines of connection with the top and the base, gives the piece an intense classical connotation.
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
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The dormeuse of the EMMA collection is characterized by defined stitching details of the back cushion, emphasizing shape and design. It stands out for its elegance and adaptability in convivial moments or reserved spaces in every outdoor environment: gardens, terraces and balconies, porches, patios, pools.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
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Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.