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Designed by Ludovica & Roberto Palomba
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
Finishes:
Legs in aluminium painted bronze pewter, upholstery in a selection of fabrics or leather
Dimensions:
W1730 x D900 x H850 mm
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Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
$1,920.00
Arrival is a complete lamp family with dynamic, flowing shapes that sculpt light with delicate, graphic lines. Branching out from a central joint, common to all the different versions, each model has three arms that form a soft, organic geometric shape through a profile that is both light and structure. Each element has a section […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Inspired by the stability of Greek geometries and the fluidity of Asian ink painting, the CHAI sofa integrates sumptuous cushions within a volumed metallic lacquer frame, creating an elegant interplay of softness and rigidity. Adorned with oversized cushions, CHAI invites both sit and curling up. The CHAI sofa introduces a new lifestyle, designed with platformed […]
Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
$600.00
Once upon a time, small, useful objects existed in homes. For smoking rather than sewing, for serving rather than displaying: they dotted the living spaces. Giuseppe Chigiotti, in designing ?Ping,? thinks back to those now-obscure times.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]