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Designed by Philippe Starck
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Finishes:
Legs in aluminium with seat in polyurethane lacquered white, black, red, ultramarine blue, orange, green, blue, burgundy, greyish beige, dark beige, saffron or dark blue
Dimensions:
W600 x D570 x H805 mm SH450 mm
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Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
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An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of […]
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
Clearly inspired by the world of fashion and finely-built with an almost “sartorial” eye for details, Jacket armchair comes in a revised version insofar as design and new colors with a metal frame characterized by slim and supple outlines. The quilted fabric does not merely act as a cover, but becomes a soft and cozy […]
Nautica is a hanging seat that pays homage to one of the first pieces produced by Expormim in the 70?s. Our commitment to the creation of a unique design that would recover and rethink the traditional use of rattan was matched by the will of delivering something different, unexpected. Natural world is filled with contrasts […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.