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Designed by Philippe Starck
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Finishes:
Legs in aluminium with seat in polyurethane lacquered white, black, red, ultramarine blue, orange, green, blue, burgundy, greyish beige, dark beige, saffron or dark blue
Dimensions:
W600 x D570 x H805 mm SH450 mm
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As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Felix is a comfortable wrap-around armchair, where the softly curved upholstered seat and arms contrast against the decisive lines of the well-engineered steel base. This is a versatile chair, which can stand alone as a statement piece, particularly in a richer colourway, or create a graceful option around a dining or boardroom table.
The BOHEMIAN dining chair features an oversized U-shaped backrest, where elegant, sweeping lines and refined materials come together to create a perfect harmony between form and function. This exquisite design makes it an exquisite addition to any modern interior.
Pick Up Sticks celebrates its solid oak frame, which is enhanced with refined profile details.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.