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Designed by Philippe Starck
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Finishes:
Legs in aluminium with seat in polyurethane lacquered white, black, red, ultramarine blue, orange, green, blue, burgundy, greyish beige, dark beige, saffron or dark blue
Dimensions:
W600 x D570 x H805 mm SH450 mm
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Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of […]
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
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The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.