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Lazada
Designed by Philippe Starck
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Finishes:
Legs in polished aluminumm, seat in polyurethane upholstered in leather in dark beige, brown, white or black
Dimensions:
W580 x D580 x H770 mm SH450 mm
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Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
A chair that incorporates the rounded 50’s style, however, ergonomically correct and more suitable for outdoor use. This is accomplished through the side slots, so fundamental to the flow of rainwater and to its stackability. Soft egg offers an organic image that can melt, so amazingly, with the organic unity of nature.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
As a master in architecture, the Japanese, Ito has proposed few but extraordinary design works. Suki armchair, designed in 1987, is one of them: an object made mysterious by the use of a double steel mesh row intersected by many springs. This is an ideological Manifesto but, unpredictably comfortable.
In the outdoor collection OUT/IN Starck with Eugeni Quitllet, proceeds along two paths: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark. With the sofa he doesn’t look for the iconic object, but he rather adopts sophisticated stratagems, usually intended for home interiors, for example the inclusion of […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.