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Designed by Philippe Starck
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
Finishes:
Legs in polished aluminumm, seat in polyurethane upholstered in leather in dark beige, brown, white or black
Dimensions:
W580 x D580 x H770 mm SH450 mm
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Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]
$3,080.00
Driade has reissued the lounge chair designed by Philipe Starck in 1984, part of the celebrated and iconic Costes series, from which it draws its unmistakable features: a wraparound wooden shell and three sharply angled legs. This armchair, with its enveloping and comfortable seat, is a statement piece in the most elegant settings, both in […]
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
$1,890.00
Designed in 1970 by Giancarlo Piiretti, plona is a folding and stackable armchair. A truly unique design that combines aesthetics, functionality and comfort.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.