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Lazada
Designed by Ludovica & Roberto Palomba
A minimal top, in crystal or canaletto walnut veneer, suspended on two independent wood structures: the result is a very refined table, thanks to the elegant details and the lightweight look of the piece overall.easel, designed for Driade by Ludovica+Roberto Palomba, is a table that plays on proportions and dynamism.
Finishes:
Base in solid canaletto walnut or ebonized ash wood, top in tempered clear glass
Dimensions:
W2200 x D900 x H730 mm W2400 x D1050 x H730 mm W2700 x D1050 x H730 mm
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An outdoor sofa but designed for the old aged and very noble art of conversation. In this sofa everyone can find his ideal depth of seating position and posture: more composed or more gently relaxed, depending on one’s temperament or the circumstances of the day. Ludovica and Roberto Palomba wanted Grand Plie to open up […]
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
The Slim line is characterized by an essential design that conveys great lightness. Tables, coffee tables, consoles, benches and sofas that meet all tastes and requirements, fitting all kinds of situations.
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Two furnishing elements of pure material. Two architectural blocks in perfect scale. The materiality of the concrete becomes the protagonist and is expressed through irregular surfaces that recall the raw wood with which the formwork is made ? the wooden formwork used in construction that holds within it the shape to be created by casting […]
Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.