Mid Year Sale 15-80%* 6 June - 4 July
Visit us in store for a wider selection of items not found online.
Designed by Antonia Astoria
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
Finishes:
Base in crystalplant in white or lacquered matt black, top in wood with white or black laminate
Dimensions:
W1800 x D1100 x H720 mm W2050 x D1280 x H720 mm
0
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
The wind desk breaks from traditional desk. With its wing-shaped legs and aerial, willowy structure, it recalls the motion of a bird flying in the sky, carried by the wind. The piece pairs together the oriental philosophy of life and the essence of nature, representing a harmonious integration of form and function.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.