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Designed by Philippe Starck
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success to the absoluteness of its form: an enveloping dark wood shell and three sharply angled legs.
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Created to complement the homonymous chair, Toy table, lives, indeed, an independent life thanks to the elegance of its stem, strongly tapered. A detail which, combined with the soft lines of connection with the top and the base, gives the piece an intense classical connotation.
lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
The Split chair with arms links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind […]
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat which becomes more prosperous and retro in the solid ash version.