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Lazada
Designed by Philippe Starck
Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three highly tilted legs.
Finishes:
Structure in steel painted black, seat shell in mahogany, ebonized mahogany, grey oak, striped wenge with seat upholstered in leather in black or bamboo with seat upholstered in leather in beige
Dimensions:
W475 x D580 x H800 mm SH470 mm
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Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
The name comes from the two “fins†at the rear of the chair, the coupling between the frame and the base. The Sharky chair is the winner of the Interior Innovation Award 2015.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
$720.00
Designed with stackability in mind, the Daystak Side Chair by Robin Day is a lesson in functional utility and the beauty of simple forms. Exhibiting the designer’s dedication to craft, the side chair’s complex construction belies its visual simplicity and minimalist mid-century silhouette.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.